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Circa 1900, FBERGE SILVER AND TRANSLUCENT WHIT GUILLOCHE ENAMELLED BELL PUSH, WORKMASTER HENRIK WIGSTROM, MKOSCOW, SAPPHIRE PUSH BORDERED BY DIAMIND

Circa 1900, FBERGE SILVER AND TRANSLUCENT WHIT GUILLOCHE ENAMELLED BELL PUSH, WORKMASTER HENRIK WIGSTROM, MKOSCOW, SAPPHIRE PUSH BORDERED BY DIAMIND

Fabergé Malachite Bell Push, C. 1900 on OneKingsLane.com

Fabergé Malachite Bell Push, C. 1900 on OneKingsLane.com

A Fabergé two-colour gold and enamel bell push, workmaster Victor Aarne, St Petersburg, circa 1895. In neoclassical taste, square with canted corners, the surface enamelled in translucent pearl white over wavy engine-turning within bright-cut border mounts, the top applied with conjoined ribbon-tied green gold palm sprays centring the cabochon sapphire push piece, the sides with laurel festoons, bun feet.

A Fabergé two-colour gold and enamel bell push, workmaster Victor Aarne, St Petersburg, circa 1895. In neoclassical taste, square with canted corners, the surface enamelled in translucent pearl white over wavy engine-turning within bright-cut border mounts, the top applied with conjoined ribbon-tied green gold palm sprays centring the cabochon sapphire push piece, the sides with laurel festoons, bun feet.

Domed Bell Push, late 1800s-early 1900s, Fabergé, silver, enamel over engine turned ground, bowenite base, push of colored glass (?).

Domed Bell Push, late 1800s-early 1900s, Fabergé, silver, enamel over engine turned ground, bowenite base, push of colored glass (?).

A Fabergé silver-gilt and enamel bell-push, Moscow, 1899-1908. square, the surface enamelled in translucent powder blue over banded wavy engine-turning, the top and sides applied with formalised foliate mounts, the cabochon sapphire thumbpiece within a chased rosette, gadrooned bun feet, marked K. Fabergé in Cyrillic beneath the Imperial Warrant, scratched inventory number 18393, 84 standard, in original fitted case with lower compartment containing original coiled cord, width: 4cm, 1 5/8 in

A Fabergé silver-gilt and enamel bell-push, Moscow, 1899-1908. square, the surface enamelled in translucent powder blue over banded wavy engine-turning, the top and sides applied with formalised foliate mounts, the cabochon sapphire thumbpiece within a chased rosette, gadrooned bun feet, marked K. Fabergé in Cyrillic beneath the Imperial Warrant, scratched inventory number 18393, 84 standard, in original fitted case with lower compartment containing original coiled cord, width: 4cm, 1 5/8 in

A Fabergé Gold and Translucent Enamel Bell Push, Workmaster Henrik Wigström, St. Petersburg, circa 1900, of circular cushion form, the surface enamelled in translucent rose Pompadour over moiré engine-turning, the base and push with bands of chased laurel leaves, the cabochon moonstone push mounted in gold, with a wooden base.

A Fabergé Gold and Translucent Enamel Bell Push, Workmaster Henrik Wigström, St. Petersburg, circa 1900, of circular cushion form, the surface enamelled in translucent rose Pompadour over moiré engine-turning, the base and push with bands of chased laurel leaves, the cabochon moonstone push mounted in gold, with a wooden base.

A silver-gilt and guilloché enamel bell-push. Circular form, cabochon button, the surface with green translucent enamel over engine-turning. Bearing spurious Russian hallmarks. 2nd half 20th century. Diam. 6.8 cm.

A silver-gilt and guilloché enamel bell-push. Circular form, cabochon button, the surface with green translucent enamel over engine-turning. Bearing spurious Russian hallmarks. 2nd half 20th century. Diam. 6.8 cm.

A SILVER AND GUILLOCHÉ ENAMEL BELL PUSH BY FABERGÉ, WITH THE WORKMASTERS MARK OF ANDREI GORIANOV, ST. PETERSBURG, 1896-1908

A SILVER AND GUILLOCHÉ ENAMEL BELL PUSH BY FABERGÉ, WITH THE WORKMASTERS MARK OF ANDREI GORIANOV, ST. PETERSBURG, 1896-1908

A Fabergé silver-gilt mounted enamel bell-push, workmaster Victor Aarne, St Petersburg, 1899-1903

A Fabergé silver-gilt mounted enamel bell-push, workmaster Victor Aarne, St Petersburg, 1899-1903

A Fabergé Gold and Translucent Guilloche Enamel Bell Push, Workmaster Henrik Wigström, St. Petersburg, circa 1900, of circular cushion form, the surface enamelled in translucent rose Pompadour over moiré engine-turning, the base and push with bands of chased laurel leaves, the cabochon moonstone push mounted in gold, with a wooden base. by wendy

A Fabergé Gold and Translucent Guilloche Enamel Bell Push, Workmaster Henrik Wigström, St. Petersburg, circa 1900, of circular cushion form, the surface enamelled in translucent rose Pompadour over moiré engine-turning, the base and push with bands of chased laurel leaves, the cabochon moonstone push mounted in gold, with a wooden base. by wendy

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