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Sun K. Kwak, Korean art, contemporary installation using tape, drawing with tape, 280 Hours, cool art

Sun K. Kwak, Korean art, contemporary installation using tape, drawing with tape, 280 Hours, cool art

Untwisted Ropes Tacked to Gallery Walls Appear to Sprout like Trees  http://www.thisiscolossal.com/2015/06/rope-installations-mello-landini/

Untwisted Ropes Tacked to Gallery Walls Appear to Sprout like Trees http://www.thisiscolossal.com/2015/06/rope-installations-mello-landini/

mixed media/paper-cutting installations by fidencio fifield-perez

mixed media/paper-cutting installations by fidencio fifield-perez

Incredible Art That Can Only Be Viewed From One Angle

Incredible Art That Can Only Be Viewed From One Angle

Sun K. Kwak, Korean art, contemporary installation using tape, drawing with tape, 280 Hours, cool art

Sun K. Kwak, Korean art, contemporary installation using tape, drawing with tape, 280 Hours, cool art

Fabian Bürgy a sense of the improbable. This Swiss artist born in 1980 turns everyday objects at the heart of its facilities.

Fabian Bürgy a sense of the improbable. This Swiss artist born in 1980 turns everyday objects at the heart of its facilities.

Shadow art

Shadow art

Singaporean artist Keng Lye makes 3D animals with alternating layer of acrylic paint and resin.

Singaporean artist Keng Lye makes 3D animals with alternating layer of acrylic paint and resin.

That’s serious talent…

That’s serious talent…

Melinda Gibson's series 'The Photograph as Contemporary Art' adheres to this theory, quite literally. She 'sticks things together' – in this case, sliced-up images culled directly from the pages of Charlotte Cotton's seminal book, The Photograph as Contemporary Art, which has graced the reading lists of nearly every academic institution offering a degree in photography since its publication in 2004.

Melinda Gibson's series 'The Photograph as Contemporary Art' adheres to this theory, quite literally. She 'sticks things together' – in this case, sliced-up images culled directly from the pages of Charlotte Cotton's seminal book, The Photograph as Contemporary Art, which has graced the reading lists of nearly every academic institution offering a degree in photography since its publication in 2004.

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