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Calligraphy Fonts, Islamic Calligraphy, Turkish Art, Illuminated Manuscript, Arabesque, Islamic Art, Walter Crane, Gold Leaf, Design Patterns

Mughal manuscript. Illuminated floral border. Produced during the reign of Shah Jahan, 1657. (Walters Art Museum, Baltimore, Maryland.)

Mughal Manuscript -- Illuminated floral border -- Produced during the reign of Shah Jahan -- Circa 1657 -- Walters Art Museum, Baltimore

Detail of the illuminated opening page of the Persian manuscript, Gulistan, by the thirteenth-century poet, Sadi, one of Persia’s great literary masters. Gulistan means ‘rose-garden’, and the manuscript is made up of stories each representing a flower of the poetic garden. This manuscript was copied in 1649 (1059 A.H.).   In addition to gold, the colours appearing on the illuminated opening page include white, red, orange, blue, yellow, black and green. These colours were identified through…

1649 Copy of the opening page of "Gulistan" or Rose Garden composed by Persian C. The manuscript is made up of stories each representing a flower of the poetic garden.

All sizes | Collection of poems (divan), Double-page illuminated frontispiece, Walters Manuscript W.636, fol. 2b | Flickr - Photo Sharing!

Hafez, iranian poet Collection of poems (divan), Double-page illuminated frontispiece, Walters Manuscript fol. by Walters Art Museum Illuminated Manuscripts

This double-page illuminated frontispiece from Walters manuscript W.559 is comprised of two rectangles surrounded by a trefoil border in grisaille. The inner border is gold strapwork with blue squares. The central area is an intricate design of geometric forms and arabesques in blue, black, gold, and green.  Date	1323  AD (723  AH)  Medium	ink and pigments on dark cream laid Persian paper

yama-bato: “ Illuminated Manuscript, The left side of a double-page illuminated frontispiece, Walters Art Museum Ms. The incipit page from an illuminated codex of the Koran (Qur’an) with.

tezhip | Tumblr

some of the most intricate, methodical, and of course beautiful works of art I've ever studied.

Calligraphy, French People, Kitchens, Penmanship, Lettering, Calligraphy Art

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Islamic Art, Islamic Patterns, Illuminati, Frames

Poems by Sa`di  Sa'di  (1213/19–92)  Object Name: Album leaf, non-illustrated Date: 16th century Geography: Iran Medium: Ink, opaque watercolor and gold on paper  @metmuseum

Leaf of Calligraphy from Poems by Sa'di by Sa'di via Islamic Art Medium: Ink, opaque watercolor, and gold on paper; decoupage and stenciled bordersFletcher Fund, 1934 Metropolitan Museum of Art, New.

Islamic Art, Islamic Patterns, T5, Illuminati

Collection of poems (divan), Double-page illuminated frontispiece

Collection of poems (divan), Double-page illuminated frontispiece, Walters Art Museum Ms.

Benedetto Bordon (Italian, 1450-1530) (Artist) PERIOD ca. 1480 (Renaissance) MEDIUM ink, paint and gold on parchment	 (Manuscripts & Rare Books) ACCESSION NUMBER W.333.309R MEASUREMENTS 8 7/8 x 6 5/16 in. (22.5 x 16 cm) GEOGRAPHIES

Benedetto Bordon (Italian, 1450-1530) (Artist) PERIOD ca. 1480 (Renaissance) MEDIUM ink, paint and gold on parchment (Manuscripts & Rare Books) ACCESSION NUMBER W.333.309R MEASUREMENTS 8 7/8 x 6 5/16 in. (22.5 x 16 cm) GEOGRAPHIES

Hattat : Zeynep Çolak  Tezhip: Zerrin Gülsoy Hilye-i Şerif

Hattat : Zeynep Çolak Tezhip: Zerrin Gülsoy Hilye-i Şerif

Left Side of an Illuminated Double-page Incipit.  This folio from Walters manuscript W.577 is the left side of this illuminated double-page incipit and is the incipit for chapter 2 (Surat al-baqarah). The page is divided into three compartments: an upper and lower panel flanking a central area. Muhammad ibn Mustafa Izmiri (Turkish) (Scribe) 1282 AH/AD 1865-1866 (Ottoman)

Illuminated Manuscript Koran, The left side of a double-page illumination , Walters Art Museum Ms. by Walters Art Museum Illuminated Manuscripts.

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