The landscape of Michael Eastman’s photographs is lush, organic and green, but the subject matter is the rotting interior of buildings. The botanical elements of a traditional still-life are replaced by the wild overgrowth of patinaed and tattered walls teetering on the edge of a by-gone era.While the photographs are contemporary art meant to shed light on the economic realities in present day Cuba, there is an odd beauty in each frame.
