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c.1884 celadon green silk faille two piece reception gown with a graceful full train, a fashionable slender stayed silhouette, and with beautiful rose silk velvet brocade accents to the bodice, cuffs, and front skirt panel. An elegant draped waist, a pleated tail, a lined train with a lace facing, a matching lining and lace to the skirt, along with pleated ruffles at the hem, a blind front shell button closure to the bodice, and a Petersham that reads "Agnew & English, Phila. (Pa.)."

c.1884 celadon green silk faille two piece reception gown with a graceful full train, a fashionable slender stayed silhouette, and with beautiful rose silk velvet brocade accents to the bodice, cuffs, and front skirt panel. An elegant draped waist, a pleated tail, a lined train with a lace facing, a matching lining and lace to the skirt, along with pleated ruffles at the hem, a blind front shell button closure to the bodice, and a Petersham that reads "Agnew & English, Phila. (Pa.)."

Afternoon dress ca. 1868.  Not a fan of the dresses around the American Civil War-here or abroad.  Even Mary Todd Lincoln's dresses-she was a clotheshorse- just look...big!  Bustles just augment the effect, and ladies, can you imagine sitting comfortably wearing a bustle?

Afternoon dress ca. 1868. Not a fan of the dresses around the American Civil War-here or abroad. Even Mary Todd Lincoln's dresses-she was a clotheshorse- just look...big! Bustles just augment the effect, and ladies, can you imagine sitting comfortably wearing a bustle?

1882 lady's Summer cream silk two piece dress. A lined and stayed tunic style bodice with a bias cut bustle tail, passementerie button accents over the blind front hook and eye closure, trimmed in a pretty bobbin lace, with silk faille accents, piping, a silk neck bow, and bows at the cuffs. A polished cotton underskirt with a pleated hem, and a bunted bustle , draped accents with silk bows, and a fancy parasol pocket at one side.  Offered on Ebay

1882 lady's Summer cream silk two piece dress. A lined and stayed tunic style bodice with a bias cut bustle tail, passementerie button accents over the blind front hook and eye closure, trimmed in a pretty bobbin lace, with silk faille accents, piping, a silk neck bow, and bows at the cuffs. A polished cotton underskirt with a pleated hem, and a bunted bustle , draped accents with silk bows, and a fancy parasol pocket at one side. Offered on Ebay

kjoler Dronning Maud

kjoler Dronning Maud

1877-1879, Dressing gown, belt. Gold silk taffeta, fuchsia embroidery. Center front opening, frog closings, patch pockets, flying bird embroidered, quilted inside. Belt: fuchsia cord with tassel.

1877-1879, Dressing gown, belt. Gold silk taffeta, fuchsia embroidery. Center front opening, frog closings, patch pockets, flying bird embroidered, quilted inside. Belt: fuchsia cord with tassel.

Evening Dress     ca.1865

Evening Dress ca.1865

* Printed cotton 'Indienne' robe, French, the fabric 1770s but altered into a closed-robe circa 1780-90, the block printed cotton with vertical bands of baskets of fruits, roses and ribbons in shades of red, blue and brown, with closed-front bodice, the waist cut high at the back, the skirt panels stitched closed at the centre front and with apron-like fall with ties to fasten.

* Printed cotton 'Indienne' robe, French, the fabric 1770s but altered into a closed-robe circa 1780-90, the block printed cotton with vertical bands of baskets of fruits, roses and ribbons in shades of red, blue and brown, with closed-front bodice, the waist cut high at the back, the skirt panels stitched closed at the centre front and with apron-like fall with ties to fasten.

Pink Brocade Reception Gown Of One Piece, Long Fitted Bodice, Trained Skirt, Pink Satin And Valenciennes Lace Trim    c.1880's

Pink Brocade Reception Gown Of One Piece, Long Fitted Bodice, Trained Skirt, Pink Satin And Valenciennes Lace Trim c.1880's

White Cotton Day Dress, 1850's

White Cotton Day Dress, 1850's

Silk Brocade Robe à la Anglaise, ca. 1760

Silk Brocade Robe à la Anglaise, ca. 1760

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