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Augusta Auctions: silk satin evening coat, paris, black w/ raspberry charmeuse lining, embroidered net lace bands on shoulders, sleeves & sides of coat- 1910-1915

Augusta Auctions: silk satin evening coat, paris, black w/ raspberry charmeuse lining, embroidered net lace bands on shoulders, sleeves sides of coat-

Evening coat Attributed to Vitaldi Babani (French, born Middle East, active 1895–1940) Date: early 1920s Culture: Italian Medium: silk.

Evening coat Attributed to Vitaldi Babani (French, born Middle East, active Date: early Culture: Italian Medium: silk.

Silk Satin Evening Wrap with Beading, c. 1910.

Silk Satin Evening Wrap with Beading, c. Made of silk satin with black satin trim, black and gold embroidery with beading at upper back.

Riding bodice 1750 European The Metropolitan Museum of Art

Riding bodice Date: ca. 1750 Culture: European Medium: silk Dimensions: [no dimensions available] Credit Line: Purchase, Irene Lewisohn Bequest, 1970 Accession Number:

Callot Soeurs

Evening dress (rear view) Callot Soeurs (French, active Date: Culture: French Medium: silk Dimensions: [no dimensions available] Credit Line: Gift of Miss Agnes Miles Carpenter, 1940 Accession Number:

Dress Henriette Favre Date: 1905–7 Culture: French Medium: silk, metal

Dress Designer: Henriette Favre Date: Culture: French Medium: silk, metal Dimensions: Length at CB (a): 12 in. cm) Length at CB (b): 18 in. cm) Length at CB (c): 51 in.

Coat    Date:      1918  Culture:      Russian  Medium:      wool, silk  Dimensions:      Length at CB: 51 in. (129.5 cm)

Russian Coat - 1918 - Wool, silk - Worn by Rita de Acosta Lydig - The Metropolitan Museum of Art - Mlle - If it wasn't labeled a coat, you'd see it as dress.

1909 Reception gown in grey silk chiffon over ivory China silk embellished with hand painted metal shells. The upper bodice and sleeves are ivory lace over cream silk. The standing collar down through the throat is made up of pleated silk tulle set with appliqued lace. Satin covered discs accented the neckline between chiffon and tulle. They are also used at the sleeve hem. The chiffon on the bodice is pleated just above the waistline seam to create a cummerbund effect. Front

1912 Grey Silk Chiffon & China Silk Reception Gown w/ Metalic Shell Decorations

1912 Grey Silk Chiffon China Silk Reception Gown w Metalic Shell Decorations (front view). Daytime reception gowns were almost as intricately made as evening gowns, although colours tended to be more in line with daytime wear.

Woman's evening coat, 1910-20, France, silk velvet, silk satin collar, cuffs and lining. Lent by Museum of Fine Arts, Boston. Gift of Mr. William B. Gannett. Artwork part of "Kimono: A Modern History."

Evening Coat House of Worth Jean-Charles Worth Coral pink velvet evening coat with cream silk satin collar and cuffs, coral pink silk satin lining. Loose kimono shape gathered in back and.

Dress by Callot Soeurs, Paris, France, c. 1907, Helen Larson Historic Fashion Collection. Via the FIDM Museum Blog. Silk satin, silk tulle, hand-tinted and hand-embroidered glass bugle beads. Belonged to the 9th Duchess of Marlborough, née Consuelo Vanderbilt (1877-1964).

Dress by Callot Soeurs, Paris, France, c. 1907, Helen Larson Historic Fashion Collection. Via the FIDM Museum Blog. Silk satin, silk tulle, hand-tinted and hand-embroidered glass bugle beads. Belonged to the 9th Duchess of Marlborough, née Consuelo Vanderbilt (1877-1964).

Evening dress, 1910. Silk satin and tulle with embroidery and beadwork. Centraal Museum, Utrecht

Evening dress, Silk satin and tulle with embroidery and bead work. Via Centraal Museum, Utrecht.

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