Explore Aluminum Foil Art, White Curtains, and more!

Norwegian architecture firm Snøhetta

It Came From Norway

Nel 1989 Craig Dykers e Kjetil Thorsen fondano lo studio Snøhetta a Oslo

William Daniels, Still Life with relief chalice, fruit and glasses in a stone niche II, 2007

Still Life With Relief Chalice, Fruit And Glasses In A Stone Niche II - William Daniels

Tree of Codes / Wayne McGregor, Olafur Eliasson, Jamie XX at Sadlers Wells, 9 Match 2017

Olafur Eliasson used a combination of mirrors and coloured screens to create different abstract scenes for Wayne McGregor's Tree of Codes ballet.

Photo by mononoaware_

Åse Margrethe Hansen, Stage curtain from the Norwegian Opera & Ballet, 2013

Theatre review: Betroffenheit at Sadler's Wells Theatre

Theatre review: Betroffenheit at Sadler's Wells Theatre

Relateret billede

Relateret billede

Darren Johnston, Zero Point at Barbican, 25 May 2017. Sadly lacking drama.

Darren Johnston, Zero Point at Barbican, 25 May 2017. Sadly lacking drama.

this wonderful, piece constructed sheer cotton indigo dyed koshimaki–a kind of woman’s undergarment–against the silvery winter light.  The piecing and the translucency of the koshimaki is shown off to good advantage when back lit.

this wonderful piece constructed sheer cotton indigo dyed koshimaki–a kind of woman’s undergarment–against the silvery winter light. The piecing and the translucency of the koshimaki is shown off to good advantage when back lit.

artist painter william daniels

William Daniels

Gravity Fatigue – Hussein Chalayan

Gravity Fatigue – Hussein Chalayan

Albert Camus, The Plague at Arcola Theatre, 24 April 2017

Albert Camus, The Plague at Arcola Theatre, 24 April 2017

Albert Camus, The Plague at Arcola Theatre, 24 April 2017

Albert Camus, The Plague at Arcola Theatre, 24 April 2017

William Daniels

Paintings of crumpled aluminum foil by William Daniels at Luhring Augustine via Art Splash.

Pink

Curators' Incubator: The Sum of Parts Curated by Amy Boone-McCreesh February 22 - March 2012 Reception and Curator’s Talk: February

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