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Zhang Dali, ‘Deep Blue Sky No.3’, 2013. Cyanotype photogram and ink on rice paper

Zhang Dali, ‘Deep Blue Sky No.3’, 2013. Cyanotype photogram and ink on rice paper

Cyanotype impression of algae by Anna Atkins

Cyanotype impression of algae by Anna Atkins

Sri Lankan Clover Cyanotype by Henrietta Molinaro at Wilson Stephens & Jones http://www.wilsonstephensandjones.com

Sri Lankan Clover Cyanotype by Henrietta Molinaro at Wilson Stephens & Jones http://www.wilsonstephensandjones.com

Eben Goff - Batholith Etching, Monoprint #B-9

Batholith Etching, Monoprint #B-9

Eben Goff - Batholith Etching, Monoprint #B-9

Lynnette Miller. Cyanotype from a photograph of a dried flower placed on the end paper of an old book.

Lynnette Miller. Cyanotype from a photograph of a dried flower placed on the end paper of an old book.

Lynnette Miller, Cyanotypes of bottles found in the garden.

Lynnette Miller, Cyanotypes of bottles found in the garden.

The aesthetic of me not being there    Adam Fuss,  Untitled, From the series 'My Ghost', 2000

The aesthetic of me not being there Adam Fuss, Untitled, From the series 'My Ghost', 2000

photography cyanotype www.rachelfee.com

photography cyanotype www.rachelfee.com

ZHANG DALI 張大力 Blue Sky 3, 2014 Cyanotype and oil on canvas 59 1/10 × 40 3/5 in 150 × 103 cm

ZHANG DALI 張大力 Blue Sky 3, 2014 Cyanotype and oil on canvas 59 1/10 × 40 3/5 in 150 × 103 cm

Marcia Trieger. An ancient photographic process called cyanotype made these images. The process consists of making a photographic emulsion from two simple chemicals, which results in a blue and white image, also known as photograms. Once the watercolor paper is coated with the emulsion, it is sensitive to daylight. Objects can be laid on top of the paper, and what does not allow light to hit the paper, creates a white image, and the rest turns blue. Each cyanotype is a one of a kind.

Marcia Trieger. An ancient photographic process called cyanotype made these images. The process consists of making a photographic emulsion from two simple chemicals, which results in a blue and white image, also known as photograms. Once the watercolor paper is coated with the emulsion, it is sensitive to daylight. Objects can be laid on top of the paper, and what does not allow light to hit the paper, creates a white image, and the rest turns blue. Each cyanotype is a one of a kind.

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