Utforsk disse og flere idéer!

Young Woman with an Otsue Demon Dressed as an Itinerant Priest Kitagawa Utamaro (Japanese, 1753–1806) Period: Edo period (1615–1868) Date: ca. 1804 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Young Woman with an Otsue Demon Dressed as an Itinerant Priest Kitagawa Utamaro (Japanese, 1753–1806) Period: Edo period (1615–1868) Date: ca. 1804 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Katsukawa Shun'ei  (1762-1819), The Sumo Wrestler Kurogumo Otozo with the Teahouse Waitress Naniwaya Okita

Katsukawa Shun'ei (1762-1819), The Sumo Wrestler Kurogumo Otozo with the Teahouse Waitress Naniwaya Okita

A Woman Playing with a Young Boy  Kitagawa Utamaro  (Japanese, 1753–1806)  Period: Edo period (1615–1868) Date: ca. 1804 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

A Woman Playing with a Young Boy Kitagawa Utamaro (Japanese, 1753–1806) Period: Edo period (1615–1868) Date: ca. 1804 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Varias imágenes que me gustan

Varias imágenes que me gustan

Two Geisha  Kikugawa Eizan  (Japanese, 1787–1867)  Period: Edo period (1615–1868) Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Two Geisha Kikugawa Eizan (Japanese, 1787–1867) Period: Edo period (1615–1868) Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

The Actor Ichikawa Monosuke II as Chivalrous Commoner  Katsukawa Shun'ei  (Japanese, 1762–1819)  Period: Edo period (1615–1868) Date: ca. 1790 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

The Actor Ichikawa Monosuke II as Chivalrous Commoner Katsukawa Shun'ei (Japanese, 1762–1819) Period: Edo period (1615–1868) Date: ca. 1790 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

.:. The Oiran Hanaogi of Ogiya Kitagawa Utamaro (Japanese, 1753–1806) Period: Edo period (1615–1868) Date: ca. 1796 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

.:. The Oiran Hanaogi of Ogiya Kitagawa Utamaro (Japanese, 1753–1806) Period: Edo period (1615–1868) Date: ca. 1796 Culture: Japan Medium: Polychrome woodblock print; ink and color on paper

Utagawa Yoshitomi (Japanese, active mid-19th century). Views of Foreigners (Gaikokujin no zu), 1861. The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3324) #horses

Utagawa Yoshitomi (Japanese, active mid-19th century). Views of Foreigners (Gaikokujin no zu), 1861. The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3324) #horses

Hakuzosu the Fox-Spirit  Ôtagaki Rengetsu  (Japanese, 1791–1871)  Period: Edo period (1615–1868) Date: 19th century Culture: Japan Medium: Hanging scroll; ink, color, and silver on paper Dimensions: 38 1/4 x 11 7/8 in. (97.2 x 30.2 cm) Classification: Painting

Hakuzosu the Fox-Spirit Ôtagaki Rengetsu (Japanese, 1791–1871) Period: Edo period (1615–1868) Date: 19th century Culture: Japan Medium: Hanging scroll; ink, color, and silver on paper Dimensions: 38 1/4 x 11 7/8 in. (97.2 x 30.2 cm) Classification: Painting

Ishikawa Toyonobu (Japanese, 1711–1785). Summer Willow in the Breeze, ca. 1748. Japan; Edo period (1615–1868). The Metropolitan Museum of Art, New York. The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 (JP691)

Ishikawa Toyonobu (Japanese, 1711–1785). Summer Willow in the Breeze, ca. 1748. Japan; Edo period (1615–1868). The Metropolitan Museum of Art, New York. The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 (JP691)

Pinterest
Søk