Utforsk disse og flere idéer!

In 1969, American artist Michael Heizer drove a motorcycle in circles in Jean Dry Lake, Nevada. The tire tracks created a pattern of circular lines, creating an ephemeral land-art piece. A set of photographs describes the process from a close point of view: the camera was strapped to a ladder...

In 1969, American artist Michael Heizer drove a motorcycle in circles in Jean Dry Lake, Nevada. The tire tracks created a pattern of circular lines, creating an ephemeral land-art piece. A set of photographs describes the process from a close point of view: the camera was strapped to a ladder...

adam hale aka mr.splice                                                                                                                                                     More

adam hale aka mr.splice (The Jealous Curator)

adam hale aka mr.splice More

michael heizer earthworks - Google Search

michael heizer earthworks - Google Search

Michael-Heizer-Circular-Surface-Planar-Displacement-Drawing-05

“Circular Surface Planar Displacement Drawing”, 1969 by Michael Heizer

Michael-Heizer-Circular-Surface-Planar-Displacement-Drawing-05

Richard Long

Richard Long

georges rousse

georges rousse

Was introduced to this artist through Meg, noticing a likeness in my current archive iternation: Gordon Matta-Clark's pieces are created from the destruction of architecture, almost undermining the...

Artist Research: Gordon Matta-Clark

Was introduced to this artist through Meg, noticing a likeness in my current archive iternation: Gordon Matta-Clark's pieces are created from the destruction of architecture, almost undermining the...

Victor Burgin Photopath 19679 installation view as part of 19561972  When Attitudes Became Form Kettles Yard Cambridge 1986. (via Frieze)  Photographs of the floor on which the work was to be installed in the exhibition context were enlarged to the extent that they exactly matched the scale of the floor itself. These photographs were then laid out directly on the floor of the exhibition room so that they covered the object that they simultaneously presented.  Daniel Marzona Conceptual Art

Victor Burgin Photopath 19679 installation view as part of 19561972 When Attitudes Became Form Kettles Yard Cambridge 1986. (via Frieze) Photographs of the floor on which the work was to be installed in the exhibition context were enlarged to the extent that they exactly matched the scale of the floor itself. These photographs were then laid out directly on the floor of the exhibition room so that they covered the object that they simultaneously presented. Daniel Marzona Conceptual Art

Earthglance

Earthglance

The Observatory by Robert Morris (1971)

The Observatory by Robert Morris (1971)

Pinterest
Søk