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Plastron de cuirasse. PÉRIODE: 16e siècle. Renaissance (période). SITE DE PRODUCTION: Milan. | Photo (C) RMN-Grand Palais (musée du Louvre) / Jean-Gilles Berizzi

Plastron de cuirasse. PÉRIODE: 16e siècle. Renaissance (période). SITE DE PRODUCTION: Milan. | Photo (C) RMN-Grand Palais (musée du Louvre) / Jean-Gilles Berizzi

Half Armor of a member of the Papal Swiss Guard, c. 1600 with 18th century blued and gilded decoration

Half Armor of a member of the Papal Swiss Guard, c. 1600 with century blued and gilded decoration

ca. 1630 Culture: German Medium: Steel Classification: Armor for Man

1630 Culture: German Medium: Steel Classification: Armor for Man

Breastplate Author:	Piccinino, L. (?) Country:	Italy Collection:	Arms and Armour Date:	Second half of the 16th century Technique:	chased and gilded

Breastplate Author (Master) : Piccinino, L.) Second half of the century Milan steel, chased and gilded l.

Ferdinand II armour. Created by Lucio Piccinino (1550-1589). Gift from Alessandro Farnese, Duke of Parma and Piacenza

Ferdinand II armour - Created by Lucio Piccinino - Gift from Alessandro Farnese, Duke of Parma and Piacenza

Filippo Negroli (1510 - 1579)

Armoured breastplate (metal), Negroli, Filippo / Museo Nazionale del Bargello, Florence, Italy / The Bridgeman Art Library I the heart shaped cutouts.

This breastplate is designed for a youth, steel, embossed and damascened with gold and silver, partly gilt.

Detail of ‘Armure à Mars et à la Victoire’, part of the Musée de l’Armée collection

Detail of ‘Armure à Mars et à la Victoire’, part of the Musée de l’Armée collection

Weaponry. Оружейная.

Weaponry. Оружейная.

Very beautifully worked helmet, intricate detailing and forms.

Not for biking: Armor of George Clifford, Third Earl of Cumberland Made under the direction of Jacob Halder (English, master armorer at royal workshops at Greenwich, documented This artwork is currently on display in the Metropolitan Museum of Art, NY

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