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Day dress, circa 1900. Rough cream-colored silk. Blouse has high lace neck w/black binding, lace inserts w/black bias binding at elbows, and 2 vertical stripes on bodice and horizontal band on skirt. Envelope-type decorations at front blouse and back skirt close on waistband w/black-covered button details. Black bias binding at turn-back cuffs, waistband, and neck. Kauri Museum, ­Matakohe, via NZ Museums.

Day dress, circa 1900. Rough cream-colored silk. Blouse has high lace neck w/black binding, lace inserts w/black bias binding at elbows, and 2 vertical stripes on bodice and horizontal band on skirt. Envelope-type decorations at front blouse and back skirt close on waistband w/black-covered button details. Black bias binding at turn-back cuffs, waistband, and neck. Kauri Museum, ­Matakohe, via NZ Museums.

Tailored dress, Bohemia, ca. 1905. Two pieces, hand-sewn cotton. Short fitted bodice w/low V-neck front with 7 hidden snap hooks. Front & back trimmed w/vertical tucks and 3 horizontal strips sewn with tiny pearl buttons. ¾ sleeves trimmed with pleated ruffles. Long bell skirt, extended in back, with vertical & horizontal tucks. Bodice lined in cream silk. North Bohemian Museum in Liberec via eSbírky.cz

Tailored dress, Bohemia, ca. 1905. Two pieces, hand-sewn cotton. Short fitted bodice w/low V-neck front with 7 hidden snap hooks. Front & back trimmed w/vertical tucks and 3 horizontal strips sewn with tiny pearl buttons. ¾ sleeves trimmed with pleated ruffles. Long bell skirt, extended in back, with vertical & horizontal tucks. Bodice lined in cream silk. North Bohemian Museum in Liberec via eSbírky.cz

An A. Groult brown damask day dress, circa 1912, labelled to the broad grosgrain waistband, 31, Rue d'Anjou, the high waistline outlined in pink/beige woven braid, cord bow to neck, with rows of grey-blue silk embroidered buttons to the bodice and cuffs, bust 86-92cm, 34-36in

An A. Groult brown damask day dress, circa 1912, labelled to the broad grosgrain waistband, 31, Rue d'Anjou, the high waistline outlined in pink/beige woven braid, cord bow to neck, with rows of grey-blue silk embroidered buttons to the bodice and cuffs, bust 86-92cm, 34-36in

Afternoon dress, Worth, ca. 1900. Cream ribbed silk with black satin stripes, lengths joined to create chevron stripes; white silk chiffon; black satin; cream net lace; white tulle. Trumpet-shaped skirt, flat in front. Bodice front folds down at the neck edge, in semblance of a collar, and is finished with a black satin bow. Museum of the City  of New York

Afternoon dress, Worth, ca. 1900. Cream ribbed silk with black satin stripes, lengths joined to create chevron stripes; white silk chiffon; black satin; cream net lace; white tulle. Trumpet-shaped skirt, flat in front. Bodice front folds down at the neck edge, in semblance of a collar, and is finished with a black satin bow. Museum of the City of New York

Dress, Hirsch et Cie, ca. 1907-15. Three-piece purple silk gown (bodice, skirt, sash). Openwork fabric patterns on bodice & skirt. Blousing bodice falls into V-neck. Purple silk sash or belt with 2 pendant tassels hanging on closure at back. Amsterdam Museum

Dress, Hirsch et Cie, ca. 1907-15. Three-piece purple silk gown (bodice, skirt, sash). Openwork fabric patterns on bodice & skirt. Blousing bodice falls into V-neck. Purple silk sash or belt with 2 pendant tassels hanging on closure at back. Amsterdam Museum

ornamentedbeing:  1895-1896  A Madame Clapham bodice, grey corded silk (2 pieces) with yellow silk panel down front, yellow silk undersleeve...

ornamentedbeing: 1895-1896 A Madame Clapham bodice, grey corded silk (2 pieces) with yellow silk panel down front, yellow silk undersleeve...

Velvet and wool afternoon gown, circa 1902: 2-piece, taupe moire silk faille and velvet w/faun wool flannel appliques in stylized foliage motifs, bolero style bodice, high neck "under bodice" of cream silk panne, ribbon embroidered, and lace trimmed lapels with lace jabot.

Velvet and wool afternoon gown, circa 1902: 2-piece, taupe moire silk faille and velvet w/faun wool flannel appliques in stylized foliage motifs, bolero style bodice, high neck "under bodice" of cream silk panne, ribbon embroidered, and lace trimmed lapels with lace jabot.

TWO SUMMER DRESSES, c. 1915 by selma

TWO SUMMER DRESSES, c. 1915 by selma

1900

1900

Cream day dress, ca. 1912, with a high neck and long sleeves. Lace panel in bodice front and at hemline and cuffs. Cream satin evening skirt. Brightwells

Cream day dress, ca. 1912, with a high neck and long sleeves. Lace panel in bodice front and at hemline and cuffs. Cream satin evening skirt. Brightwells

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