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Eva Hesse, no title (1969–70), latex, rope, string, and wire, at the Whitney…

Eva Hesse, no title (1969–70), latex, rope, string, and wire, at the Whitney…

Pecan pie filling rolled into a light sponge cake make this pecan pie cake roll a perfect Thanksgiving dessert.

Pecan Pie Cake Roll

Pecan pie filling rolled into a light sponge cake make this pecan pie cake roll a perfect Thanksgiving dessert.

Eva Hesse (1936-1970), No title, 1969-70. Latex, rope, string, and wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee 88.17a-b © The Estate of Eva Hesse; courtesy Hauser & Wirth

Eva Hesse (1936-1970), No title, 1969-70. Latex, rope, string, and wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee 88.17a-b © The Estate of Eva Hesse; courtesy Hauser & Wirth

This painting strikes me as Eva's visualization of the. "

This painting strikes me as Eva's visualization of the. "

Eva Hesse at the Milwaukee Art Museum. Photo: Åse Margrethe Hansen #GISSLER #interiordesign

Eva Hesse at the Milwaukee Art Museum. Photo: Åse Margrethe Hansen #GISSLER #interiordesign

Anne Mudge,  When you view a volumetric form in a landscape,the eye tends to focus on the form alone, obscuring the landscape as it recedes into background.    Line viewed in the same landscape acts very differently.  Instead of receding, the surrounding landscape comes forward to interact with line, and an interplay of line and space constantly shifts with new points of view. Attention shifts from the individual to a community of forms.

Anne Mudge, When you view a volumetric form in a landscape,the eye tends to focus on the form alone, obscuring the landscape as it recedes into background. Line viewed in the same landscape acts very differently. Instead of receding, the surrounding landscape comes forward to interact with line, and an interplay of line and space constantly shifts with new points of view. Attention shifts from the individual to a community of forms.

Pullman Installation by Rebecca Hutchinson, via Flickr

Pullman Installation by Rebecca Hutchinson, via Flickr

eva hesse

eva hesse

Yayoi Kusama, Fireflies on the water, 2002, Whitney Museum of American Art

Yayoi Kusama, Fireflies on the water, 2002, Whitney Museum of American Art

Alberto Giacometti, Alberto Der Platz II, 1948/1949 Bronze, © bpk / Nationalgalerie, Museum Berggruen, Staatliche Museen zu Berlin.

Alberto Giacometti, Alberto Der Platz II, 1948/1949 Bronze, © bpk / Nationalgalerie, Museum Berggruen, Staatliche Museen zu Berlin.

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