Mattias Ekman

Mattias Ekman

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Oslo, Norway
Mattias Ekman
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Image result for henry viii cockpit

Image result for henry viii cockpit

Cockpit-in-Court plans - Cockpit-in-Court - Wikipedia

Cockpit-in-Court plans - Cockpit-in-Court - Wikipedia, the free encyclopedia

ANÓNIMO. "Disección de un cadáver ante una compañía de cirujanos" s. XVII.

ANÓNIMO. "Disección de un cadáver ante una compañía de cirujanos" s. XVII.

LE CLERC, DANIEL (1652-1728) AND JEAN-JACQUES MANGET (1652-1742). BIBLIOTHECA ANATOMICA; SIVE, RECENS IN ANATOMIA INVENTORUM THESAURUS LOCUPLETISSIMUS... EDITIO SECUNDA. GENEVA: JEAN-ANTOINE CHOUËT AND DAVID RITTER, 1699.

LE CLERC, DANIEL (1652-1728) AND JEAN-JACQUES MANGET (1652-1742). BIBLIOTHECA ANATOMICA; SIVE, RECENS IN ANATOMIA INVENTORUM THESAURUS LOCUPLETISSIMUS... EDITIO SECUNDA. GENEVA: JEAN-ANTOINE CHOUËT AND DAVID RITTER, 1699.

Corporis humani disquisitio anatomica Author: Highmore, Nathaniel, 1613-1685 Published: Hagæ-Comitis [The Hague] : Ex officina Samuelis Broun, 1651.

Corporis humani disquisitio anatomica Author: Highmore, Nathaniel, Published: Hagæ-Comitis [The Hague] : Ex officina Samuelis Broun, 1651

[Frontispice] Dissection. Médecins et malades . 17e siècle. SCULTETUS, Johannes / SCHULTES, Johann / SCULTET, Jean. Armamentarium chirurgicum. Edition : La Haye : Vlacq, 1657.

[Frontispice] Dissection. Médecins et malades . 17e siècle. SCULTETUS, Johannes / SCHULTES, Johann / SCULTET, Jean. Armamentarium chirurgicum. Edition : La Haye : Vlacq, 1657.

Theatrum anatomicum in Leiden. Anatomical lecture at the time of Peter Pauw. Copperplate engraving, probably in: G. Wolf-Heidegger and A. Basel International Journal of Morphology - El Teatrum Anatomicum en la Historia y Hoy

Anatomy, Anatomy Reference

Body Anatomy, Human Anatomy, Human Body, Oil Paintings, Amsterdam, Bones, Author, Anatomy Of The Body, Human Body Anatomy, Oil On Canvas, The Human Body, Dice

Cabinet of Curiosities 1690s Domenico Remps

This trompe-l’oeil painting of a cabinet of curiosities by Domenico Remps further blurs the boundary between nature and art, between real and fictitious spaces. (Domenico Remps, Cabinet of Curiosities, Opificio delle Pietre Dure, Florence)