STEVE TURNER CONTEMPORARY

Founded in 2007. Steve Turner Contemporary was established in 2007 to showcase emerging American and international artists. The gallery mounts eighteen…
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Fabiola Torres Alzaga, Adaptando la Carta #3, 2013. Pencil on tracing paper, 9 1/2 x 11 3/4 PrevNext Art, Artist, Conceptual, International Artist, Pencil, Exhibition, Female Sketch, Steve, Male Sketch
Fabiola Torres Alzaga, Adaptando la Carta #3, 2013. Pencil on tracing paper, 9 1/2 x 11 3/4 PrevNext
Michael Staniak, IMG_849 (Internet Blue), 2014. Casting compound and acrylic on board with stainless steel frame, 48 x 36 inches PrevNext Michael, Turner Contemporary, Steel, Steel Frame, Turner, Contemporary, Board
Michael Staniak
Michael Staniak, IMG_849 (Internet Blue), 2014. Casting compound and acrylic on board with stainless steel frame, 48 x 36 inches PrevNext
Rafaël Rozendaal, Falling Falling, Installation view. Steve Turner, 2012 PrevNext Northern Lights, Travel, Los Angeles, Gallery, Landmarks, Natural Landmarks
Rafaël Rozendaal
Rafaël Rozendaal, Falling Falling, Installation view. Steve Turner, 2012 PrevNext
Camilo Restrepo, 'Salvador', 2014. Ink, water-soluble wax pastel, tape, newspaper clippings and saliva on paper, 46 1/2 x 24 3/4 inches PrevNext Pop, Fine Art, Outsider Artists, New Art
Camilo Restrepo | Steve Turner
Camilo Restrepo, 'Salvador', 2014. Ink, water-soluble wax pastel, tape, newspaper clippings and saliva on paper, 46 1/2 x 24 3/4 inches PrevNext
Pablo Rasgado, Zona Maco Sur - Pablo Rasgado. Installation View, Steve Turner Contemporary, Booth ZMS20, April 2012 PrevNext Mexican Art, Museum Exhibition, Abstract Artwork
Pablo Rasgado | Steve Turner
Pablo Rasgado, Zona Maco Sur - Pablo Rasgado. Installation View, Steve Turner Contemporary, Booth ZMS20, April 2012 PrevNext
Edgar Orlaineta, Frames after Bruno Munari, 2009. Dimensions Variable. Medium: 13 wearable eyeglasses made with different material such as: silver, sheep wool, steel, anilines, lacquer, paper, carved walnut, mirrors, wood, plywood, tree root, cardboard, cork, Guaje seeds and wool felt. PrevNext Edgar, Bruno Munari
Edgar Orlaineta, Frames after Bruno Munari, 2009. Dimensions Variable. Medium: 13 wearable eyeglasses made with different material such as: silver, sheep wool, steel, anilines, lacquer, paper, carved walnut, mirrors, wood, plywood, tree root, cardboard, cork, Guaje seeds and wool felt. PrevNext
CARLOS MARTIEL, Plegaria Muda, 2014. Performance view, Steve Turner Contemporary, Los Angeles PrevNext Military, Photographer, Performance, Military Medals, Silent Prayer
Carlos Martiel | Steve Turner
CARLOS MARTIEL, Plegaria Muda, 2014. Performance view, Steve Turner Contemporary, Los Angeles PrevNext
Jonas Lund, Public Access Me, 2012. Website. "Public Access Me is a continuous live stream of my browser in real time",said the artist. -Lauren Cornell- "By directly engaging the new level of openness and visibility present in contemporary culture, “Public Access Me” presents privacy not only as a contested and changing concept but, possibly, an outmoded option. Today, we participate in third-party platforms—be they social media services, online shopping networks, or privately-hosted email—to which we regularly, often unthinkingly, surrender our personal data, by signing up, registering, posting, and uploading details of our lives. “Public Access Me” takes this new era of unconscious surrender to an extreme, by literally offering up everything the artist is doing without question or permission. For Lund, “Public Access Me” is also an experiment in what kind of new behaviors or activities this level of openness will create. Will Lund show us everything? Or will he develop strategies to shield certain interests or activities?" Lund, Googie, Public, Analytics, Internet, Access, Facebook Com, Google Analytics, Social Media Services
Jonas Lund
Jonas Lund, Public Access Me, 2012. Website. "Public Access Me is a continuous live stream of my browser in real time",said the artist. -Lauren Cornell- "By directly engaging the new level of openness and visibility present in contemporary culture, “Public Access Me” presents privacy not only as a contested and changing concept but, possibly, an outmoded option. Today, we participate in third-party platforms—be they social media services, online shopping networks, or privately-hosted email—to which we regularly, often unthinkingly, surrender our personal data, by signing up, registering, posting, and uploading details of our lives. “Public Access Me” takes this new era of unconscious surrender to an extreme, by literally offering up everything the artist is doing without question or permission. For Lund, “Public Access Me” is also an experiment in what kind of new behaviors or activities this level of openness will create. Will Lund show us everything? Or will he develop strategies to shield certain interests or activities?"
Yung Jake, Augmented Real, 2013. Website and smartphone application PrevNext Smartphone, Jake, Website, Conviction, Real
Yung Jake | Steve Turner
Yung Jake, Augmented Real, 2013. Website and smartphone application PrevNext
Deborah Grant, The Birth of a Genius in the Midnight Sun, 2012. Mixed media on wood panel, 75 x 154 1/2 inches Museums, Mixed Media, Paintings, Artists, Contemporary Art, Ink, Angeles
Deborah Grant, The Birth of a Genius in the Midnight Sun, 2012. Mixed media on wood panel, 75 x 154 1/2 inches
Maria Anwander, Erased Pictures from Flash Art No. 283, 2013. Flash Art magazine with images erased, erasure residue, 98 plastic bags, Dimensions variable PrevNext Flash Art, Magazine Art, Photo, Photo Wall, Los Angeles Venues, Helloworld, Wall
Maria Anwander
Maria Anwander, Erased Pictures from Flash Art No. 283, 2013. Flash Art magazine with images erased, erasure residue, 98 plastic bags, Dimensions variable PrevNext