Indre Sogn bunad

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Husfliden - Front med bringeduk og veske - Sognebunad - Sogn og Fjordane - Norsk Flid nettbutikk og bunader

Husfliden - Front med bringeduk og veske - Sognebunad - Sogn og Fjordane - Norsk Flid nettbutikk og bunader

Pascale var den første som rekonstruerte kvinnebunaden i Sogn etter Bunad- og folkedraktrådets retningslinjer

Pascale var den første som rekonstruerte kvinnebunaden i Sogn etter Bunad- og folkedraktrådets retningslinjer

<br><i>Pannebora var jentenes hovudplagg til stasbruk</i>

<br><i>Pannebora var jentenes hovudplagg til stasbruk</i>

DigitaltMuseum - Bringeklut frå Fjærland i Balestrand

DigitaltMuseum - Bringeklut frå Fjærland i Balestrand

Images about #sognebunad tag on instagram

Images about #sognebunad tag on instagram

Sissel Kyrkjebø wearing the Lustrabunaden during the Lillehammer Winter Olympic Opening Ceremonies.

Sissel Kyrkjebø wearing the Lustrabunaden during the Lillehammer Winter Olympic Opening Ceremonies.

The reconstructed bunad from Sogn illustrates how women dressed in the inner and central parts of Sogn in the first part of the 19th century. The original was painted by the artist Johannes Flintoe in 1822 and there are also written testaments on how women would dress in the area.

The reconstructed bunad from Sogn illustrates how women dressed in the inner and central parts of Sogn in the first part of the 19th century. The original was painted by the artist Johannes Flintoe in 1822 and there are also written testaments on how women would dress in the area.

Sissel Kyrkjebø sings to the bridal couple; wedding of Princess Märtha Louise of Norway and mr. Ari Behn on May 24, 2002

Sissel Kyrkjebø sings to the bridal couple; wedding of Princess Märtha Louise of Norway and mr. Ari Behn on May 24, 2002

The collar of the jacket shows the influence from the Empire epoch at the beginning of the 19th century. The large gilded buttons with hanging leaves shows that the jacket will be worn on festive occasions. The reconstructed bunad from Sogn illustrates how women dressed in the inner and central parts of Sogn in the first part of the 19th century. The original was painted by the artist Johannes Flintoe in 1822 and there are also written testaments on how women would dress in the area.

The collar of the jacket shows the influence from the Empire epoch at the beginning of the 19th century. The large gilded buttons with hanging leaves shows that the jacket will be worn on festive occasions. The reconstructed bunad from Sogn illustrates how women dressed in the inner and central parts of Sogn in the first part of the 19th century. The original was painted by the artist Johannes Flintoe in 1822 and there are also written testaments on how women would dress in the area.

DigitaltMuseum - jentebore frå Sogn

DigitaltMuseum - jentebore frå Sogn

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