Jacob Sømme

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Jacob Sømme | 1862-1940 | Fra Nærland 1916 the light at 5 a.m.

Jacob Sømme | 1862-1940 | Fra Nærland 1916 the light at 5 a.m.

Jacob Kielland Sømme (1862-1940): Havneparti, 1911

Jacob Kielland Sømme (1862-1940): Havneparti, 1911

Jacob Kielland Sømme (1862-1940): Interior, 1891

Jacob Kielland Sømme (1862-1940): Interior, 1891

Jacob Kielland Sømme (1862-1940): Skagen, 1890

Jacob Kielland Sømme (1862-1940): Skagen, 1890

Sømme, Jacob Kielland (b,1862)- Report Cards

Sømme, Jacob Kielland (b,1862)- Report Cards

Jacob Sømme - Michael Peter Ancher

Jacob Sømme - Michael Peter Ancher

Jacob Kielland Sømme (1862-1940): A Woman in the Paris Studio, 1888

Jacob Kielland Sømme (1862-1940): A Woman in the Paris Studio, 1888

Jacob Kielland Sømme (1862-1940), Anna på broen, Sølyst - 1901

Jacob Kielland Sømme (1862-1940), Anna på broen, Sølyst - 1901

Jacob Somme (Norwegian, 1862-1940) - Woman Reading by a Window, 1890

Jacob Somme (Norwegian, 1862-1940) - Woman Reading by a Window, 1890

Jacob Kielland Sømme (1862-1940), Deux Garçons - 1896

Jacob Kielland Sømme (1862-1940), Deux Garçons - 1896


Flere ideer
Jacob Sømme (1862-1940)

Jacob Sømme (1862-1940)

Jacob Sømme - Michael Peter Ancher - 1890The Athenaeum

Jacob Sømme - Michael Peter Ancher - 1890The Athenaeum

Stinchar Moonlight…oil painting by Iain Robinson

Stinchar Moonlight…oil painting by Iain Robinson

thick oil

thick oil

meus-praceres:  .

meus-praceres: .

paul cezanne paintings | ... 1882-85. Oil on canvas. The Pushkin Museum of Fine Art, Moscow, Russia

paul cezanne paintings | ... 1882-85. Oil on canvas. The Pushkin Museum of Fine Art, Moscow, Russia

Moonlit seascape at Cap Martin, 1892 Alfred Stevens

Moonlit seascape at Cap Martin, 1892 Alfred Stevens

Spencer Gore - Letchworth, The Road (1912)

Spencer Gore - Letchworth, The Road (1912)

Fence Lines and Fields Greg Hargreaves acrylic 14" x 18"

Fence Lines and Fields Greg Hargreaves acrylic 14" x 18"

ABSTRACT EXPRESSIONISM/ COLOR FIELD-  Barnett Newman ~ Dionysius, 1949 (oil) BN once said he wanted viewers to experience "awareness of being alive in the sensation of complete space"  Dionysius, was the God of wine> the title of this piece represents uninhibited wildness, yet the "zips" (lines) are orderly (like Apollo) JUXTAPOSITION

ABSTRACT EXPRESSIONISM/ COLOR FIELD- Barnett Newman ~ Dionysius, 1949 (oil) BN once said he wanted viewers to experience "awareness of being alive in the sensation of complete space" Dionysius, was the God of wine> the title of this piece represents uninhibited wildness, yet the "zips" (lines) are orderly (like Apollo) JUXTAPOSITION

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