Emigre magazine layout

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some type of newspaper with numbers and words on it's pages, as well as the number one

Emigre No. 70, book spread showing reprints from issue no. 43 Photo 4 of 9 in Emigre No. 70. Browse inspirational photos of modern homes. From midcentury modern to prefab housing and renovations, these stylish spaces suit every taste.

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an open book with black and white text on it

I was delighted to discover that the full run of legendary graphic design magazine Emigre is available online. It brought back a lot of memories and gave me the same jolt of inspiration as when I first discovered the magazine as a student.

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an advertisement with words written in black and white, including the word's name

One of the most iconic releases from Emigre Fonts, Barry Deck’s Template Gothic was the only typeface used in the entire “Starting From Zero” issue of Emigre. Inspired by Ed Fella’s teaching at CalArts, where Deck had been a student from 1987 to 1989, the typeface feature

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a poster with many different images and words on it's side, including an image of

Rob Saunders has spent most of his life in publishing. He founded Picture Book Studio in 1981 which published dozens of award-winning children’s books from authors like Eric Carle and Jane Goodall. He ran Alphabet Press, producing titles by or about graphic artists like Friedrich Neugebauer, Hans Eduard Meier, Lance...

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the poster for zero zero is shown in black and yellow with an o on it

Matthew Carter's Walker MoMA has acquired 23 digital fonts for their Architecture and Design collection, a recognition of the ongoing power of typography and design in contemporary culture. This acquisition represents a new "branch in [MoMA's] collection tree." Aside from Max Miedinger's 36-point Helvetica Bold (designed in 1956), there previously...

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an open book with some type of electronic device in it's center and text

Though initially considered “ugly” and hard to read, a beta version of Keedy Sans, initially designed in 1989, was featured in the opening pages of Emigre's issue #15: Do You Read Me?, which tackled age-old questions about why we need new typefaces – but in the new context

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