When autocomplete results are available use up and down arrows to review and enter to select. Touch device users, explore by touch or with swipe gestures.

Oseberg

Collection by Guro Hovelstad

17 
Pins
 • 
14 
Followers

Oseberg Osebergdrakta Viking Klær Clothes Broderi Embrodery

Guro Hovelstad
Analysis of the textiles and textile tools of the Oseberg ship burial its amazing how close to a persian carpet motif this looks~! Viking Garb, Viking Dress, Viking Ship, Norse Clothing, Viking Life, Viking Woman, Medieval Embroidery, Norway Viking, Germanic Tribes

The Textiles of the Oseberg Ship

Analysis of the textiles and textile tools of the Oseberg ship burial

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Viking Embroidery, Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Vikings, Irish, Oriental, Frames

Osebergdrakta

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

I have talked at length about the relative lack of embroidery in Viking Age finds, but I am going to summarize those earlier discussions here as a preface to some new thoughts. Embroidery as a whole. Anglo Saxon Clothing, Viking Clothing, Viking Garb, Viking Dress, Viking Life, Viking Woman, Historical Women, Historical Photos, Medieval Embroidery

Osebergdrakta

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg textile - Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Vikings, Irish, Oriental, Frames, Bronze

Osebergdrakta

Oseberg textile - Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg palmet, Fragment 5 Embroidery test! Original width: ca 18cm No trace of tabletwoven edges. Wool. Warps density probably 10 - 12 threads pr cm. Down residue only on backside of fragment - pillow or duvet cover. Ornamental composition - not a tapestry. Strict symmetrical pelmet like composition inside the medallion. On some smaller fragments fresh carmine red is visible. Background and parts of the flowers are red. All other color is vanished. Star Patterns, Duvet Covers, Initials, Composition, Old Things, Textiles, Tapestry, Symbols, Fresh

Osebergdrakta

Oseberg palmet, Fragment 5 Embroidery test! Original width: ca 18cm No trace of tabletwoven edges. Wool. Warps density probably 10 - 12 threads pr cm. Down residue only on backside of fragment - pillow or duvet cover. Ornamental composition - not a tapestry. Strict symmetrical pelmet like composition inside the medallion. On some smaller fragments fresh carmine red is visible. Background and parts of the flowers are red. All other color is vanished.

Oseberg palmet - Fragment 5 Embroidery test Original width: ca 18cm No trace of tabletwoven edges. Wool. Warps density probably 10 - 12 threads pr cm. Down residue only on backside of fragment - pillow or duvet cover. Ornamental composition - not a tapestry. Strict symmetrical pelmet like composition inside the medallion. On some smaller fragments fresh carmine red is visible. Background and parts of the flowers are red. All other color is vanished. Fiber Art, Saddle Bags, Duvet Covers, Medieval, Composition, Tapestry, Fresh, Embroidery, Wool

Osebergdrakta

Oseberg palmet - Fragment 5 Embroidery test Original width: ca 18cm No trace of tabletwoven edges. Wool. Warps density probably 10 - 12 threads pr cm. Down residue only on backside of fragment - pillow or duvet cover. Ornamental composition - not a tapestry. Strict symmetrical pelmet like composition inside the medallion. On some smaller fragments fresh carmine red is visible. Background and parts of the flowers are red. All other color is vanished.

I have talked at length about the relative lack of embroidery in Viking Age finds, but I am going to summarize those earlier discussions here as a preface to some new thoughts. Embroidery as a whole. Viking Embroidery, Viking Costume, Tablet Weaving, Nordic Art, Herringbone Stitch, Viking Age, New Thought, Running Stitch, Anglo Saxon

Osebergdrakta

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Irish, Oriental, Frames, Bronze, Textiles

Osebergdrakta

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Lululemon Logo, Vikings, Irish, Oriental, Frames

Osebergdrakta

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg textile Fragment 5 Foto E. Vikings, Textiles, Meat, Food, The Vikings, Essen, Meals, Fabrics, Yemek

Osebergdrakta

Oseberg textile Fragment 5 Foto E. I. Johnsen 1998

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Vikings, Irish, Oriental, Frames, Bronze

Osebergdrakta

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Vikings, Irish, Oriental, Frames, Bead

Osebergdrakta

Oseberg textile Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg textile - Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Vikings, Irish, Oriental, Frames, Bronze

Osebergdrakta

Oseberg textile - Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg textile - Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin Nordic Art, Anglo Saxon, Brown Brown, Silk Thread, Irish, Oriental, Frames, Bronze, Textiles

Osebergdrakta

Oseberg textile - Embroidery 12 B1 5.6x3cm The animals are placed back to back, with the heads facing each other Silk thread embroidery The frames were sewn with a bead-like seam Colors likely: Red-brown, brown, bronze and red This kind of naturalistic representation of animals in embroidery does not occur in Nordic art at this time The S-shaped volutes appear extensively in Irish and Anglo-Saxon manuscripts The motif with an animal figure in a circular beaded medallion is of oriental origin

Oseberg palmet - Fragment 5 Embroidery test Original width: ca 18cm No trace of tabletwoven edges. Wool. Warps density probably 10 - 12 threads pr cm. Down residue only on backside of fragment - pillow or duvet cover. Ornamental composition - not a tapestry. Strict symmetrical pelmet like composition inside the medallion. On some smaller fragments fresh carmine red is visible. Background and parts of the flowers are red. All other color is vanished. Duvet Covers, Composition, Tapestry, Fresh, Embroidery, Wool, Ornaments, Pillows, The Originals

Osebergdrakta

Oseberg palmet - Fragment 5 Embroidery test Original width: ca 18cm No trace of tabletwoven edges. Wool. Warps density probably 10 - 12 threads pr cm. Down residue only on backside of fragment - pillow or duvet cover. Ornamental composition - not a tapestry. Strict symmetrical pelmet like composition inside the medallion. On some smaller fragments fresh carmine red is visible. Background and parts of the flowers are red. All other color is vanished.