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Ceramic&Stone Facades / Elewacje ceramiczne i kamienne

233 Pins
 6y
Collection by
Cube House by Edmonds Lee Architects, Noe Valley Neighborhood of San Francisco, USA. Organized in a geometric-like composition, the new, 3-story home has a facade of cement-board panels, Equitone Natura. Box Architecture, Modern Residential Architecture, Residential Building, Contemporary Exterior, Modern Exterior, Contemporary Houses, Modern Mansion, Modern House, Facade Design
Noe Valley | Modern Residential Architecture
Cube House by Edmonds Lee Architects, Noe Valley Neighborhood of San Francisco, USA. Organized in a geometric-like composition, the new, 3-story home has a facade of cement-board panels, Equitone Natura.
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland.  The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital. Classical Architecture, Architecture Building, Interior Architecture, Basel, Gray Brick Wall, Brick Walls, Modern Gothic, Stone Facade, Brick And Stone
Gallery of Kunstmuseum Basel / Christ & Gantenbein - 5
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland. The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital.
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland.  The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital. Cultural Architecture, Architecture Design, Monochrome, Marble Staircase, Brick Detail
Gallery of Kunstmuseum Basel / Christ & Gantenbein - 1
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland. The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital.
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland.  The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital. Architecture Exterior, Contemporary Architecture, Concrete Facade, Brick Facade
Gallery of Kunstmuseum Basel / Christ & Gantenbein - 8
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland. The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital.
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland.  The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital. Detail Architecture, Architecture Sketch, Minimal Architecture, Landscape Architecture, Architecture House
Gallery of Kunstmuseum Basel / Christ & Gantenbein - 18
Gallery of Kunstmuseum Basel by Christ & Gantenbein, Basel, Switzerland. The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital.
Kahrizak Residential Project by CAAT Studio | Yellowtrace Traditional Architecture, Amazing Architecture, Architecture Photography, Studio Photography, Architecture Office, Building Facade
Stories On Design: Iran's Contemporary Architecture Boom.
Kahrizak Residential Project by CAAT Studio | Yellowtrace
Angled openings create balconies across the facade of MORA apartments Apartment Architecture, Apartment Building, Residential Architecture, Dezeen Architecture
Angled openings create balconies across the facade of MORA apartments
Angled openings create balconies across the facade of MORA apartments
The Jewish Center in Munich by Wandel Hoefer Lorch + Hirsch, Munich, Germany.  The travertine is used in different shapes and forms: undressed natural stone, surrounding the base of the synagogue, polished stone at the museum and cut slabs are reflecting light and shadow on the facades and around the patios at the community center. The materiality with different structure of the surface until the detailplaning show the principle of coherence and autonomy. Sacred Architecture, Religious Architecture, Metal Facade, Lorch, Jewish Museum, University Of Virginia, Munich Germany
Gallery of The Jewish Center in Munich / Wandel Hoefer Lorch + Hirsch - 4
The Jewish Center in Munich by Wandel Hoefer Lorch + Hirsch, Munich, Germany. The travertine is used in different shapes and forms: undressed natural stone, surrounding the base of the synagogue, polished stone at the museum and cut slabs are reflecting light and shadow on the facades and around the patios at the community center. The materiality with different structure of the surface until the detailplaning show the principle of coherence and autonomy.
Gentle Genius by GG Loop, Altamura, Italy  An exterior insulation and finishing system (EIFS) – a type of external cladding including both solid panels and a render topcoat – was used to create the faceted surface, largely made up of tessellating diamond shapes. The outer coating comprises a mix of plaster, paint and resin, which gives the building its glittery red finish. Materials And Textures, Textures Patterns, Subtractive Color, External Cladding, Facade Material, Genius Loci, Three Primary Colors, Arquitetura
GG-loop transforms Italian house with red faceted facade
Gentle Genius by GG Loop, Altamura, Italy An exterior insulation and finishing system (EIFS) – a type of external cladding including both solid panels and a render topcoat – was used to create the faceted surface, largely made up of tessellating diamond shapes. The outer coating comprises a mix of plaster, paint and resin, which gives the building its glittery red finish.
New Wensley Wing for King's College by Wilson Architects Saint Lucia, Australia   Wilson Architects used textured brick to create the College’s coat of arms, offering an entry view back to the campus that is distinctly ‘King’s’.  The new wing also features operable aluminium sunshades to control sun and light access into the building. College Pictures, King's College, School Architecture, Picture Gallery, Campus, Brick, Entry
New Wensley Wing for King's College | Wilson Architects
New Wensley Wing for King's College by Wilson Architects Saint Lucia, Australia Wilson Architects used textured brick to create the College’s coat of arms, offering an entry view back to the campus that is distinctly ‘King’s’. The new wing also features operable aluminium sunshades to control sun and light access into the building.
Brick Masonry, Exterior Brick, Brick Architecture, Building Design, Commercial Architecture
LUCA School of Arts | POLO. Architecture
Single family house by brandt+simons architekten, Berlin, Germany. Facade made of coloured plain tiles. Houses In Germany, Design Milk, Family House, Mansions, House Styles, Structures, Single Family, Outdoor Decor
brandt+simon architekten - Project - Schuppen - Image-25
Single family house by brandt+simons architekten, Berlin, Germany. Facade made of coloured plain tiles.
Single Family house by brandt+simon architekten, Berlin, Germany. Facade made of oloured plain tiles Shingle Siding, House Siding, House Shingles, Wood Shingles, Berlin Pankow, Green Facade, Green Roof
Schuppen | brandt+simon architekten | Archello
Single Family house by brandt+simon architekten, Berlin, Germany. Facade made of oloured plain tiles
Single Family house by brandt+simon architekten, Berlin, Germany. Facade made of oloured plain tiles Online Magazine, Urban Fabric, Berlin Germany, Facades, Tiles
Schuppen | brandt+simon architekten | Archello
Single Family house by brandt+simon architekten, Berlin, Germany. Facade made of oloured plain tiles
Single Family house by brandt+simon architekten, Berlin, Germany. Facade made of oloured plain tiles
brandt+simon architekten - Project - Schuppen - Image-25
Single Family house by brandt+simon architekten, Berlin, Germany. Facade made of oloured plain tiles