Random thought... this made me think of Gabe Building a subtle lighting setup from Fstoppers | by Clay Cook

Random thought... this made me think of Gabe Building a subtle lighting setup from Fstoppers | by Clay Cook

Beyond The Key - Building A Subtle Light Setup | Fstoppers

Beyond The Key - Building A Subtle Light Setup | Fstoppers

Beyond The Key - Building A Subtle Light Setup | Fstoppers

Beyond The Key - Building A Subtle Light Setup | Fstoppers

Tips for Magazine Quality Photography

Tips for Magazine Quality Photography

Studiolys

Studiolys

Building Dramatic Portrait Lighting One Light at a Time: Tony Corbell (+...

Building Dramatic Portrait Lighting One Light at a Time: Tony Corbell (+...

Å ta bilde av  ” Frida ” har jeg planlagt veldig lenge: her er hun i min versjon:-)    Jeg synes Frida er en sterk og spesiell person som jeg ville gjenskape i mitt bilde    På første bildet brukte jeg studiolys og på andre bildet bare naturlig lys

Å ta bilde av ” Frida ” har jeg planlagt veldig lenge: her er hun i min versjon:-) Jeg synes Frida er en sterk og spesiell person som jeg ville gjenskape i mitt bilde På første bildet brukte jeg studiolys og på andre bildet bare naturlig lys

Getting The Most Out Of Your Modifiers

Getting The Most Out Of Your Modifiers

14_07_2015_07

14_07_2015_07

Calumet travelite 750r monolights (A), aimed directly at the subject, without diffusion. rimlights, two Quantum Qflash t5d-r flashes (B), reached the boxer unmodified by softboxes, umbellas, or other forms of diffusion. Black fabric backdrop from a Calumet heavy-duty background stand (C) and supported his lights with Calumet lightstands (D). He shot with a Canon EOS 5D Mark II and 24–70mm f/2.8L lens (E). Calumet travelite 750, with softbox (F), provided weak fill to open up the shadows.

Calumet travelite 750r monolights (A), aimed directly at the subject, without diffusion. rimlights, two Quantum Qflash t5d-r flashes (B), reached the boxer unmodified by softboxes, umbellas, or other forms of diffusion. Black fabric backdrop from a Calumet heavy-duty background stand (C) and supported his lights with Calumet lightstands (D). He shot with a Canon EOS 5D Mark II and 24–70mm f/2.8L lens (E). Calumet travelite 750, with softbox (F), provided weak fill to open up the shadows.

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