leon-lucas: Kurt Schwitters - Picture of Spatial Growths - Picture with Two Small Dogs, 1920-39

leon-lucas: Kurt Schwitters - Picture of Spatial Growths - Picture with Two Small Dogs, 1920-39

Okola - Kurt Schwitters, 1926....something like this would be cool with ticket stubs and sheet music with some pages of old books

Okola - Kurt Schwitters, 1926....something like this would be cool with ticket stubs and sheet music with some pages of old books

1923 collage from the exhibition “Kurt Schwitters: Color and Collage” at the Princeton University Art

1923 collage from the exhibition “Kurt Schwitters: Color and Collage” at the Princeton University Art

Kurt Schwitters | kurt-schwitters

imaging

Kurt Schwitters | kurt-schwitters

blastedheath:    Kurt Schwitters (German, 1887-1948), Berlin, 1940. Paper collage on board, collage: 23 x 18 cm.; board: 30 x 20 cm.

blastedheath: Kurt Schwitters (German, 1887-1948), Berlin, 1940. Paper collage on board, collage: 23 x 18 cm.; board: 30 x 20 cm.

Schwitters was forced to flee Germany when his work was condemned as ‘degenerate’ by Germany’s Nazi government and the show traces the impact of exile on his work

Schwitters was forced to flee Germany when his work was condemned as ‘degenerate’ by Germany’s Nazi government and the show traces the impact of exile on his work

Kurt Schwitters,1887 - 1948, Collage and watercolor

Kurt Schwitters,1887 - 1948, Collage and watercolor

Kurt Schwitters

Kurt Schwitters

Kurt Schwitters                                                                                                                                                                                 More

Kurt Schwitters More

Credit: © Centre Georges Pompidou, Paris/DACS 2012 En Morn, 1947. No material was considered unsuitable for art by Schwitters. His collages using magazine cuttings, found objects, sweet wrappers etc paved the way for pop art and arte povera

Kurt Schwitters collages – in pictures

Credit: © Centre Georges Pompidou, Paris/DACS 2012 En Morn, 1947. No material was considered unsuitable for art by Schwitters. His collages using magazine cuttings, found objects, sweet wrappers etc paved the way for pop art and arte povera

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