William Kentridge

Collection by Mariana Duarte

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Mariana Duarte
This is by William Kentridge. I like the idea of illustrating the same thing through movement of the person and his thoughts in the book. South African Artists, Guache, A Level Art, Giacometti, Gcse Art, Human Condition, Life Drawing, Art Sketchbook, Portrait

Ilustração do livro "Memórias Póstumas de Brás Cubas", de Machado de Assis, 2012. O artista utilizou técnicas como carvão, grafite e lápis de cor ou guache. O trabalho é interessante pois, em várias páginas, o artista faz um desenho contínuo, como se a figura representada estivesse mesmo no livro.

From Goodman Gallery, William Kentridge, Broken Sculptures and 3 Distractions Ink, watercolour, coloured pencil and charcoal on book pages with tex… Life Drawing, Painting & Drawing, South African Artists, A Level Art, Human Condition, Illustrations, Gcse Art, Animation Film, Contemporary Artists

William Kentridge | Broken Sculptures and 3 Distractions (2013) | Artsy

From Goodman Gallery, William Kentridge, Broken Sculptures and 3 Distractions (2013), Ink, watercolour, coloured pencil and charcoal on book pages with tex…

William Kentridge, Art in a State of Grace, from Art in a State of Siege William Kentridge Art, State Of Grace, South African Artists, Collage, Collagraph, Face Art, Gravure, Contemporary Artists, Printmaking

"Art in a State of Grace", 1988. É um trabalho um pouco diferente dos outros que adicionei ao álbum pois é mais definido. Enquanto que os outros se resumem a técnicas com carvão e grafite, este tem mais técnicas.

Drawing by William Kentridge. William Kentridge (born 28 April is a South African artist best known for his prints, drawings, and animated films. South African Artists, Artwork Images, Illustrations, Cool Drawings, Art History, Printmaking, Contemporary Art, Digital Art, Prints

Rubell Museum

Rubell Museum, one of the biggest private contemporary art collection in North America

Drawing from "Preparing the Flute" (Tondo - Birds and Sky) 2006 - William Kentridge Art Lessons, Drawing Lessons, Narrative Photography, African Artwork, Contemporary African Art, Collage Drawing, South African Artists, Cool Drawings, Art Sketches

Exhibitions

For over thirty years, the Marian Goodman Gallery has played an important role in introducing European artists to American audiences and helping to establish a vital dialogue among artists and institutions working internationally.

William Kentridge Three Shadows, 2003 Etching, drypoint, sugar lift, 77 x 90 cm © William Kentridge Collages, Renaissance, South African Artists, Yoruba, Cool Paintings, Famous Artists, Gravure, Contemporary Artists, Light In The Dark

Three Shadows in a Landscape, 2003. O artista utiliza linhas muito grossas e finas, de diferentes intensidades. No trabalho está representado três sombras de mancha negra e uma delas está a segurar um aglomerado de linhas em forma de circulo.

William Kentridge (South African, born Untitled (Man with Megaphone) Etching, aquatint, drypoint, and engraving with roulette and crayon additions 9 x 14 Museum Of Modern Art, Art Museum, Collages, South African Artists, Animation Film, Animation Character, Life Drawing, Drawing Board, Art World

"Man with Megaphone", 1998. Carvão e grafite foram as técnicas utilizadas. Desenho com algum dramatismo. Claro/escuro evidenciado e bastantes pormenores pequenos.

Untitled, 2002. O artista utilizou como técnicas carvão, pigmento seco e guaches em nove pedaços de papel. Este desenho é de um segmento de 9 desenhos com a representação de uma mulher a entrar na banheira. Life Drawing, Figure Drawing, Jewish Museum, South African Artists, Charcoal Drawing, Animation Film, Art Drawings, Printmaking, Sketches

Untitled, 2002. O artista utilizou como técnicas carvão, pigmento seco e guaches em nove pedaços de papel. Este desenho é de um segmento de 9 desenhos com a representação de uma mulher a entrar na banheira.

William Kentridge Sobrety (sic), obesity and growing old, 1991 Scene from the video Anselm Kiefer, Mermaid Tale, South African Artists, Deep Water, Kiki Smith, Human Condition, Blue Art, Stop Motion, Animation Film

"Sobrety (sic), obesity and growing old", 1991. Este desenho é uma cena de um vídeo que William Kentridge ilustrou com os seus trabalhos. O filme é acerca de maus tratos. O desenho retrata o tema água, evidenciando-o pois é utilizada a técnica do carvão e a representação da água é de uma técnica diferente.

William Kentridge - Screenshot of Felix in Exile, 1994 William Kentridge Art, What Is An Artist, South African Artists, Artwork Images, Giacometti, Stop Motion, Contemporary Artists, Online Art, Art Drawings

Rubell Museum

Rubell Museum, one of the biggest private contemporary art collection in North America

Pormenor da obra " Felix in Exile" Drawing Sketches, Drawings, Collage, Artsy Fartsy, Red And Blue, Contemporary Art, Charcoal, Pencil, Ink

"Felix in Exile", 1994, no âmbito da exposição Laocoonte Devorado, 2004. William Kentridge, ao longo dos seus desenhos a carvão, tem tendência a evidenciar a água do resto. Dá uma certa dramatização ao desenho em si.

This has to be one of my favourite prints! William Kentridge, The Battle Between Yes and No South African Artists, Animation Film, New Artists, Moma, Screen Printing, Fine Art Prints, Drawings, Sketches, Artwork

William Kentridge. The Battle Between Yes and No. 1989 | MoMA

This monumental print was made in 1989, the year the South African government announced a program of social and political reform, and the print conveys a sense of social antagonism through figures whose tongues are entangled. The work marks a shift in Kentridge's screenprinting from theater posters and protest work to fine art, though the brown background of this image recalls the inexpensive brown paper he used for his earliest posters.

William Kentridge ‘Pensione’, 1999 © William Kentridge, From Untitled (Baedecker Portfolio) Museum Of Contemporary Art, Contemporary Artists, Joseph Mallord William Turner, Tate Britain, South African Artists, Italian Art, Travel And Tourism, Figure Drawing, Drawing Board

Pensione, 1999. Técnica a carvão em folhas de jornal/livros. Bastante original e o desenho, apesar de tapar parte do texto, poderá ser considerado como uma ilustração do texto.

"Sketches For Construction For Return" de (Repeat) From The Beginning, Drawing S, Art Drawings, John Ruskin, Stop Motion, Animation Film, Printmaking, Construction, Inspire, Deep

"Sketches For Construction For Return" de (Repeat) From The Beginning, 2008. Carvão e lápis de cor em papel e tinta da china. Este trabalho é acerca de fragmentação e voltar a conectar, a fragilidade da coerência.

Available for sale from David Krut Projects, William Kentridge, Scribe Drypoint, 17 × 15 in William Kentridge Art, Cute Drawings Of Love, Relationship Drawings, Art Postal, South African Artists, Collage, Art For Art Sake, Animation Film, Figure Drawing

Scribe. 2011 Drypoin. Neste trabalho o artista utilizou, como técnicas, tinta da china, carvão e grafite. O facto de a parte escura do rosto e da camisa ser em "rabiscos" e não em mancha, na minha opinião, dá ao desenho mais textura.

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