sverre aurstad

sverre aurstad

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Really haunting, lonely, but nothing to be scared of. Lauren Henkin, Displaced 1.

Lauren Henkin Displaced During the summer of my marriage started to dissolve, and I realized that our commitment to each other would not be for life, that I would be alone again.

Really haunting, lonely, but nothing to be scared of. Lauren Henkin, Displaced 1.

Lauren Henkin Displaced During the summer of my marriage started to dissolve, and I realized that our commitment to each other would not be for life, that I would be alone again.

James Welling - Early work from 1977. Love the conscious use of shadow to create an abstract geometric composition. Just squint.

James Welling - Early work from Love the conscious use of shadow to create an abstract geometric composition. Just squint.

James Welling Door, Olson House

Brandywine River Museum of Art’s Things Beyond Resemblance: James Welling Photographs is an examination of Andrew Wyeth’s formative influence on Welling.

Light Sources, James Welling

Meriden, 1991 "To be an artist in interested in conceptual art, there was a tremendous amount of freedom in the early James Welling. Enthralled by the possibilities. A conversation with Raphael Shammaa. April Raphael - At

Lewis Baltz  (erika soliz photo 2)

Robert Adams: The Place We Live, A Retrospective Selection of Photographs, traces Adams's engagement with the evolving landscape of the American West. Organized by Yale University Art Gallery, featuring Robert Adams's master set of photographs.